Articles Tagged with: a kosibah gown in motion
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November 3, 2022

TRUST THE PROCESS – KOSIBAH COUTURE GOWN THALIA.

The creation of Kosibah couture bridal gown Thalia from Atelier to Runway.

Fitted sheath strapless gown with ruched empire line bodice. Puddle train. Hand stitched Lace appliques down the centre of the gown. Detachable Tulle Watteau cathedral train. Lace appliques hand stitched unto the hem edge.

Please play the video to view the process.

Hand stitching appliques unto the gown
Hand stitching appliques unto the gown
The completed gown on the dress stand
The completed gown with the removable watteau train attached
Close details of the ruched soft sweetheart neckline
Close details of the hand stitched appliques on the front bodice
Close details of the hand stitched appliques on the centre skirt front
The gown showing its chapel length train
Front view of the gown with the removable watteau train attached
Back view of the gown with the removable watteau train attached
Kosibah gown Thalia shot on location in Barbados by Keith Cephus
Kosibah gown Thalia shot on location in Barbados by Keith Cephus

What are your thoughts or questions about the process involved in the creation of this gown? Please leave your comments below.

August 25, 2022

TRUST THE PROCESS – KOSIBAH BRIDE IFE.

The creation of Kosibah Bride Ife’s couture bridal gown from Atelier to First dance.

Ife wore a strapless mermaid couture gown. The bodice, with a sweetheart neckline, is in French lace with a duchesse satin underlay and has an internal corset. The mermaid skirt in ruffled layers of tulle and lace has a cathedral length train. The ensemble is completed with a tulle chemise with a high neckline and long fitted sleeves with hand stitched French lace appliques.

The cathedral tulle veil also features hand stitched French lace appliques.

Wedding location: Birmingham, UK.

Please play the video to view the process.

Cutting the applique patterns from the lace fabric piece
Adding Swarovski diamante crystals to the appliques
Pinning the appliques unto the toile (prototype), these will later be hand-stitched into place on the actual gown
The lace edging pinned unto the hem of the toile
Hand sewing the lace appliques unto the tulle cathedral veil
Close up of the bodice
Close up of the first skirt ruffle
The tulle and lace chemise worn under the strapless gown for modesty
Getting Ife dressed
Kosibah Bride Ife dressed and ready to eave to get married
Back view of Ife’s cathedral veil with hand-stitched lace appliques
Ife and her husband
Ife and her bridesmaids
Ife with her tulle chemise removed for her reception
Yemi and Ife without her tulle chemise

What are your thoughts or questions about the process involved in the creation of this gown? Please leave your comments below.

August 18, 2022

TRUST THE PROCESS – KOSIBAH BRIDE MORIYIKE.

The creation of Kosibah Bride Moriyike’s couture reception gown from sketch to dancing into the reception Hall.

Moriyike wanted a gown she would change into to dance into her wedding Reception. Since her first dress would be white, she wanted some colour in the dress. I designed a gown with a removable overskirt that had enough drama for the occasion, which could then be removed for the more relaxed part at the latter part of the evening and could be worn again for another occasion.

The appliqués on the gown were cut out from a piece of lace fabric and hand sewn in place on the gown.

Please play the video to view the process.

Sketch of Moriyike’s Recepion gown
Trying on the toile (prototype) to ensure a perfect fit
Sourcing the beaded lace fabric from where the appliqués will be harvested
The appliques pinned on the back bodice pieces
The appliques are then hand-stitched into place
Draping the bodice on the dress stand
Draping the bodice
The draped bodice is then taken off the dress stand
The drape folds and more appliques are hand-stitched into place
Appliques pinned unto the skirt area of the gown
The appliques stitched into place
The bodice and skirt pieces pinned unto the dress stand
Back view of the skirt piece
The gown completed
The gown completed
The dress in its Kosibah garment bag
The overskirt
The dress and the overskirt
Dressing Moriyike assisted by Bridal Stylist Segun Gele
Yemi and Moriyike (without the overskirt)
Yemi and Moriyike (with the overskirt)

What are your thoughts or questions about the process involved in the creation of this gown? Please leave your comments below.

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